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sobota, 10 września 2011

LIMEN a state of possibility - Danilo Capasso




Liminal state:
a state of being between one's past and future identities
and thus outside the established order,
in a state of possibility
(Rebecca Solnit, 2001)

Using this words, in her book Wonderlust, Rebecca Solnit defines the liminal condition. Explored and firstly used by the english anthropologist Victor Turner, the Liminal being identifies a transitional state and so the social drama, as a source of creativity, the place for new ideas, the ritual of evolution and progress. Therefore, applying this concept to the analysis of urban space underlines the existence of a city liminal dimension given by its transformation processes. Space acquires a suspended identity, a temporary passage in the field of pure potentiality: "a state of possibility", and thus, open to new configurations and approaches.
Napoli Est is an urban area deeply signed by the end of industrial age, where liminal spaces are, more often, space of undefined latency. A place where urban transformations materialize trough slow processes and where a permanent asymmetrical negotiation between legal an illegal stakeholders drives the city to a growth without development.
This work is a visual journey trough Naples East. The documentation and exploration of liminal space in this project, aims to identify a specific liminal urban imagery, and to produce source material useful for creative transformation strategies devoted to urban spaces.
The photographic work is configured as a selection of shoots made in Naples East between 2007 and 2011,
the video is taken from the train that leaves the city by the east side in 2011.


Installation:
Artist book: LIMEN
32 pages, color print on photographic paper, dim. 380mm x 240mm, edition of 2
all photo: Danilo Capasso
Video: Sliding Limen
Digital video, Color(PAL), 04'20", 16:9/1920x1080, .mov
direction/editing/sound design: Danilo Capasso


Artist websites
www.danilocapasso.eu
www.napoliest.it

Danilo Capasso

ECHO - Krzysztof Topolski aka Arszyn



ECHO

The only sound material used in the Echo installation is the human voice. I thought, that it would be worth trying to recreate the situations from the stories about  Narcissus and Echo. In this particular story the nymph named Echo is only able to reflect the voice, what extinguishes all the attempts to initiate the contact and relationship with Narcissus. I asked a few people to try to recreate similar behavior, they were only allowed to repeat the sounds, words and the last words of the sentences. The topics were randomly improvised.
We tried to recreate the situation from the myth. Does the reconstruction succeeded? I don’t know. However, the records illustrating some kind of a game, communication without the dialogue and monologue with Echo were produced. 
There is no exchange here, but there is the intense Presence. The tones and energies of the voices are essential, each one different, private, intimate. The records were field recorded, in an acoustic environment highly variable. They were realized in a Czech language. For me, as an initiator of this situation and the listener, it is important, that without understanding the matter of the spoken tasks and words I receive language more acoustically than semantically. I don’t understand what the characters of my recordings “do not talk” about, however I perfectly hear all the Echoes and reflects, tones and melodies.

http://krzysztoftopolski.wordpress.com/

Very special thanks to :
Petr Stibral
Jan Laska
Seslo
Pavel Hoke
Miloš Vojtěchovský
Veronika Resslová
Martin Blažíček

czwartek, 4 sierpnia 2011

Krzysztof Topolski aka Arszyn

Electroacoustic improviser, author of soundart projects, drummer. He received scholarships from Museums Quartier in Vienna and from The Ministry of Culture and National Heritage. In 2009, together with Mariusz Waras, he created installation Fabryka (Factory) in CSW “Znaki Czasu” (Signs of Time) in Toruń and also presented the piece Folk Science as a part of Pandemonium project in AC Institute [Direct Chapel] in New York.





foto by Katarzyna Jankowska

Key concepts in his work are noise and soundscape. He explores the area of percussion and live electronic, improvised and electroacoustic music. He composes with the use of computer, creates interactive and sound installations, organizes presentations and lectures on contemporary music and sound art and also runs workshops.

He cooperated, cooperate and ocasionally performed with musicians/artists/curators like : Mariusz Waras, Laurenz Theinert, Daniel Muzyczuk, Tomasz Duda, M.bunio.S, Emiter, Tomasz Szwelnik, Muk, Thomas Lehn, Andrew Sharplay, Mikołaj Trzaska, Hoec, Dj Wojak, free103point9, Wojtek Mazolewski, Ania i Adam Witkowscy, Lukas Jiricka, Tomasz Ziętek, Martin Blazicek, Dominik Bukowski, Hevelius Brass, Robert Sochacki, XV Parowek, Tianna Kennedy, Damian Catera, Łukasz Ciszak, Janusz Mackiwicz, Columbus Duo, Paulus, Łukasz Kos, Tomek Kopcewicz, Dagna Sadkowska, Michał Górczyński,  The Amareya Theatre
He is a member of PSeME (Polish Society for Electroacoustic Music)

http://krzysztoftopolski.wordpress.com/

niedziela, 24 lipca 2011

ECHO - sound installation by Krzysztof Topolski aka Arszyn

ECHO
Author: Krzysztof Topolski aka Arszyn

There is only voice and flower left from Echo and Narcissus. But voice and flower represent also sound and image, and on the receiving end: hearing and sight. Favouring one side of this dichotomy in our relating to the world has to result in affecting the way of perceiving it. This story conveys the necessity of choice between the voice and the flower and so between sound and image, hearing and sight. This story can be seen as one of the first examples of obsession related to vision and the tendency to elevating one sense over the other, in this case sight over hearing. In the context of this myth one wonders why until today we speak and think about Narcissus as a person and build personal metaphors about this figure while echo is only an acoustic phenomenon. Why did we forgot the name - Echo?”*

www.arszyn.com 


Krzysztof Topolski's artists-in-residency programme is supported by the Visegrad International Fund, a program of the Visegrad Artist Residency Programme – VARP.

niedziela, 1 maja 2011

DOMINIKA SKUTNIK

                                fot. Marek Frankowski
                                fot. Marek Frankowski
                                fot. Marek Frankowski

FISSURE

site-specific installation, black rose petals and rose fragrance.
http://dominikaskutnik.wordpress.com/

Dominika Skutnik graduated Painting and Graphics Department, Academy of Fine Arts in Gdansk - MFA in Fine Art. She is interested in energy, both metaphorical, hidden in a ritual object, as well as the literal - electricity which flows through inanimate objects, and acts on the human body. Often her works have their own power. Skutnik crosses traditionally understood in the art object.
Lives and works in Gdańsk, currently on the artist-in-residence studio visit in Schoeppingen:
http://w-schoeppingen.blogspot.com/

Artist visit is supported by Adam Mickiewicz Institute (www.culture.pl | www.iam.pl ).