czwartek, 4 sierpnia 2011

Krzysztof Topolski aka Arszyn

Electroacoustic improviser, author of soundart projects, drummer. He received scholarships from Museums Quartier in Vienna and from The Ministry of Culture and National Heritage. In 2009, together with Mariusz Waras, he created installation Fabryka (Factory) in CSW “Znaki Czasu” (Signs of Time) in Toruń and also presented the piece Folk Science as a part of Pandemonium project in AC Institute [Direct Chapel] in New York.





foto by Katarzyna Jankowska

Key concepts in his work are noise and soundscape. He explores the area of percussion and live electronic, improvised and electroacoustic music. He composes with the use of computer, creates interactive and sound installations, organizes presentations and lectures on contemporary music and sound art and also runs workshops.

He cooperated, cooperate and ocasionally performed with musicians/artists/curators like : Mariusz Waras, Laurenz Theinert, Daniel Muzyczuk, Tomasz Duda, M.bunio.S, Emiter, Tomasz Szwelnik, Muk, Thomas Lehn, Andrew Sharplay, Mikołaj Trzaska, Hoec, Dj Wojak, free103point9, Wojtek Mazolewski, Ania i Adam Witkowscy, Lukas Jiricka, Tomasz Ziętek, Martin Blazicek, Dominik Bukowski, Hevelius Brass, Robert Sochacki, XV Parowek, Tianna Kennedy, Damian Catera, Łukasz Ciszak, Janusz Mackiwicz, Columbus Duo, Paulus, Łukasz Kos, Tomek Kopcewicz, Dagna Sadkowska, Michał Górczyński,  The Amareya Theatre
He is a member of PSeME (Polish Society for Electroacoustic Music)

http://krzysztoftopolski.wordpress.com/

wtorek, 26 lipca 2011

PRAGUE 2011: NO TIME FOR HEROES: THE RIVERS AND INDUSTRIAL ZONE IN EUROPE

NO TIME FOR HEROES: THE RIVERS AND INDUSTRIAL ZONE IN EUROPE


KLADNO-PRAGUE

MARTIN JANÍČEK
was born in Prague and lives in Kosoř. He research the artistic phenomenon such as coloured music, Gesamtkunstwerk, multimedia, visual and musical installations and performances.


MARTIN ZET
is studied in the atelier of sculpture at the Academy of Creative Arts (AVU) in Prague. He lives in Kladno. He favoured the understanding of artefacts, which he viewed as open, fluid fragments. Martin Zet’s creations often take the shape of metaphors. He enlists the help of copies of certain, visible features to reference their meaning. 


GDAŃSK - PRAGUE

JARO DUFEK
studied at the school of art in the Ústí nad Labem. He lives in Prague. In 2009 he partecipated at the residence in Gdansk in collaboration with the Wyspa Institute of Art. He documents the ude and the appropration of public space by people with different media, photographies and installations. 







NO TIME FOR HEROES: Polish - Czech – Italian project

KLADNO - PRAGUE 


DAGMAR ŠUBRTOVÁ
Curator and artist. She was born 1973 in Duchcov and lives in Kladno. Since 2000 working as organizator of exhibitions in art gallery Makrac, Institut of Makromolekular chemistry in Prague (www.imc.cas.cz). Since 2004 working as assistent in Sculpture Studio at Academy of Art, Architecture and Design in Prague (www.vsup.cz), and she works like organizator of several exhibitions (www.mayrau.wz.cz). She also realized different artistic events in the Poldi Kladno SONP.




DANILO CAPASSO



Danilo Capasso, Conateco container terminal, Naples

NO TIME FOR HEROES: Polish - Czech – Italian project

No Time For Heroes conects three european cities: Kladno-Prague, Naples, Gdańsk. Still there is the problem of waterfront privatization and global consumption of water, and it is stimulating the analysis on the adaptation of waterways as a means of transport and communication.

The partner´s of project No Time For Heroes are: the Italian cultural association MEMENEST Associazione Culturale in Neaples (www.napoliest.it). The project is supported by the Visegrad International Fund, a program of the Visegrad Artist Residency Programme – VARP (Krzysztof Topolski's residency).

The exhibition No Time For Heroes will be also presented during the 6th International Biennial Vestiges of Industry 2011 (Prague-Kladno)
www.industrialnistopy.cz


NAPLES
italian city is divided into two parts. The East is a poor districts, where in the 80's were built huge factories that have been abandoned over a decade. The west area of Naples is totally different. There luxury villas overlooking the sea have been built, near the famous park of Virgil and the island of Capri. The Italian part of the project will be concentrated on the East and also on the West side of Naples.


DANILO CAPASSO
lives and works in Naples. He is Architect, Designer, Artist, Curator.He spents the last six years researching relations among art, public space and urban transformations. Photography, urban installations, internet and design are the privileged media in his artistic production. His last artwork in urban space is Portoallegro Bank marina, in the framework of the show Urbanism 2009 (Liverpool, UK), financed with a residency of European Biennial Network Residency Program (www.biennial.com).


CHRISTIAN COSTA
was born in Warsaw, Poland. I live in Naples, Italy and in Warsaw. I explored the world of art living in many different European cities as Wien, Milan, Rome, London. In 2002 I founded with them the container collective, an artistic group and a visual design studio. From 2002 to 2006 I had about twenty exhibitions under the name container.My preferred techniques are installation, video and performance, often focused on sound (sound art, sound installations).
The idea of ‘place’ is my medium. Identities connected to places, the way they are perceived by the people living there and by the people coming from the outside. The mutual relationship between identity/memory and physical space. The consequencies socio-economic processes have on cultural perception of space.


SUSANNA HORVATOVIČOVA
Curator and art critic, I was born in the formal Czechoslovakia and I live and work between Rome and Prague. In 2005 I worked in Prague Biennale 2 like a co-responsible of staff and PR. I participated in the International Art Fair Shangai 2006 in China and later I worked in Art Basel Miami Beach 2006 in USA as a responsible of Crudelia? magazine stand. Next I volunteered to participate in the preparation of the exhibition in the Czech and Slovak pavilion on Biennale di Architettura 2006 and a year later on Biennale di Venezia 2007. Moreover, from some years, I cooperate with Czech Center in Rome where I carried out an artistic project focused on the collaboration between the Italian and the Czech artists. 











niedziela, 24 lipca 2011

ECHO - sound installation by Krzysztof Topolski aka Arszyn

ECHO
Author: Krzysztof Topolski aka Arszyn

There is only voice and flower left from Echo and Narcissus. But voice and flower represent also sound and image, and on the receiving end: hearing and sight. Favouring one side of this dichotomy in our relating to the world has to result in affecting the way of perceiving it. This story conveys the necessity of choice between the voice and the flower and so between sound and image, hearing and sight. This story can be seen as one of the first examples of obsession related to vision and the tendency to elevating one sense over the other, in this case sight over hearing. In the context of this myth one wonders why until today we speak and think about Narcissus as a person and build personal metaphors about this figure while echo is only an acoustic phenomenon. Why did we forgot the name - Echo?”*

www.arszyn.com 


Krzysztof Topolski's artists-in-residency programme is supported by the Visegrad International Fund, a program of the Visegrad Artist Residency Programme – VARP.

KRZYSZTOF TOPOLSKI aka ARSZYN

     Unusual sounds often appear unexpectedly; one has to be constantly open to be able to hear them, properly register or record them; it is a process of continuous listening out, some kind of mode of perceiving the reality. While on a recent holiday trip to Tatra mountains I felt alone when I was quietly recording sounds of mountain streams and waterfalls, looking for moments undisturbed by human buzz. Majority of tourist were equipped with digital cameras. I imagined the world in which most people, instead of images, would record sounds; instead of cameras, they would carry mobile sound recorders.
     The main idea of the Project is to explore acoustic territory of the City. As an outsider and visitor I will look for its sonic manifestation. As an artist I will focus on listening to the environment. I am interested in all acoustic shapes of the City. I will be searching, selecting and recording acoustic territories in the big City. The city is an area of abundant acoustic richness, where variety of acoustic fields overlap each other. I am interested in noise, underground, echo (also as an acoustic phenomenon), muzak, architectural spaces, inside and outside, people, speech, voice and language, resonance and vibration, day and night. My research will also include the presence of the social and political in the acoustic image of the place; schizophony of the acoustic environment, ubiquity of speakers from mobile phones to huge soundsystems in public concerts and big festivals; acoustic violence and chaos of aural reality; infinite acoustic abundance of human habitats and resonance of empty spaces.
     Acoustic expression of the city will be recorded using traditional field recording but also by recordings of electromagnetic field manifestations. All surrounding electronic devices are a source of dynamic electromagnetic field. Its presence and dynamics can be observed in the sound form. I will also carry out simple recordings with hydrophones. The project will result in production on the borderline of soundscape composition, radio drama or site-specific sound installation. I plan to engage public in the creative process and carry out a sound workshop directly related to the project.
      My work will also be inspired by a unique internet website: „"Favourite sounds of Prague" and the last work by Brandon Labelle : "Acoustic Territories, Sound Culture and every day live".

* Tomasz Misiak "Estetyczne konteksy audiosfery", the School of Humanities and Journalism, Poznań 2009